Bhimbetka (Madhya Pradesh) and Kupgallu (Karnataka) are the primary sites, with Bhimbetka being a UNESCO World Heritage site.
The bronze “Dancing Girl” from Mohenjo-Daro, circa 2500 BCE, showcases lost-wax casting and naturalistic posture.
Jataka tales depicting previous lives of the Buddha, along with scenes of courtly and daily life.
Bharhut Stupa and the toranas of Sanchi Stupa (Shunga period additions) are key examples.
Bagh Caves in Madhya Pradesh, though damaged, show Gupta mural style similar to Ajanta.
Kanishka of the Kushana dynasty issued gold coins depicting himself and various deities.
Fusion of Islamic arches, domes, and calligraphy with Indian trabeate construction and decorative motifs.
It is a Gupta period fresco, not a temple sculpture, showing idealised spiritual beauty and line work.
Rock-cut caves are carved from living rock; structural temples use separate building blocks like stone or brick.
Although Mughal is later, Qutub Minar (13th century) is a key Indo-Islamic example for Class 11.
Bhimbetka (Madhya Pradesh) and Kupgallu (Karnataka) are the primary sites, with Bhimbetka being a UNESCO World Heritage site.
The bronze “Dancing Girl” from Mohenjo-Daro, circa 2500 BCE, showcases lost-wax casting and naturalistic posture.
Jataka tales depicting previous lives of the Buddha, along with scenes of courtly and daily life.
Bharhut Stupa and the toranas of Sanchi Stupa (Shunga period additions) are key examples.
Bagh Caves in Madhya Pradesh, though damaged, show Gupta mural style similar to Ajanta.
Kanishka of the Kushana dynasty issued gold coins depicting himself and various deities.
Fusion of Islamic arches, domes, and calligraphy with Indian trabeate construction and decorative motifs.
It is a Gupta period fresco, not a temple sculpture, showing idealised spiritual beauty and line work.
Rock-cut caves are carved from living rock; structural temples use separate building blocks like stone or brick.
Although Mughal is later, Qutub Minar (13th century) is a key Indo-Islamic example for Class 11.